在查尔斯·李·雷伊将灵魂注入公仔十年后，他当年的女友蒂芬妮（珍妮佛·提莉 Jennifer Tilly 饰）多年不懈寻找他的下落，终于买通警察将玩偶“楚其”的残体带出，蒂芬妮凭借不熟练的伏都仪式，将缝...
朱莉娅和莎拉（BelenRueda分饰）是一对孪生姐妹，这对美丽的姐妹花正当盛年时却罹患功能退化症。1年前，莎拉的双目完全失明，而朱莉娅的视力也在渐渐减退。某个晦暗之夜，莎拉上吊自杀。冥冥中自有感应，朱莉娅心中备感不安，次日她和丈夫艾萨克（LluisHomar饰）驱车赶往妹妹的住所，等待他们的恰是难以置信的噩耗。然而种种迹象表明，莎拉似乎并非自杀身亡，她生前的最后一段时光仿佛有一个神秘的男子作陪。朱莉娅尝试着追寻这些蛛丝马迹，她的举止令艾萨克甚为焦躁不安，而种种恐慌也让她的视力加速衰退。在黑暗即将降临的时刻，朱莉娅也隐约感知到一个来去无踪的男子时刻逡巡在自己的身旁……
第二届角川恐怖电影大奖赛第一名作品。
故事讲述70年代的马德里，马诺洛和坎德拉带着三个孩子和祖父费尔明定居在马拉萨尼亚的马德里附近。这一举动意味着他们抛弃过去以及在城镇中的生活。马德里是一个全面过渡的大城市，也是正在寻找的繁荣的好地方。但是，奥尔梅多一家人不知道的是，他们买的房子将成为他们最糟糕的噩梦。
母親的驟逝，讓瑟納（布萊恩多馬尼飾演）與黛惟（亞薩明賈塞姆飾演）被多年未見的父親接去城裡一起生活。抵達新家後，兩人見到疏遠以久的祖母加亞特里（賈姜C諾兒飾演），同時也被分派到家族經營的屠宰加工廠學習，以繼承讓這個家得以三代興旺的家族事業。母親驟逝讓黛惟難過不已，也因為祖母的溫暖關懷而獲得一絲慰藉；瑟納則努力工作，試圖贏得父親的喜愛。不過，兩人默默發現家中有不尋常的跡象，試圖威脅著他們的性命…。
临床心理学家森田奏的身边接二连三突然发生了许多不可思议的事情。突然哼唱童谣的女子、下落不明的兄弟、一再发生的原因不详死亡事件等等……而这一切的唯一共同点就是灵异之地【犬鸣隧道】。其中一个突然死亡...
★《玉子》《非常母親》王牌製片跨國打造年度破膽懼作★韓國賣座恐怖片《怪談少女》印尼版，駭人程度全面升級！★《全面突襲系列》副導首度執導恐怖電影★14歲獲印尼奧斯卡影帝，印尼演技派男星埃米爾馬希拉領銜主演★IG粉絲破百萬，印尼女子偶像團體JKT48人氣成員阿齊齊首部電影作品★人鬼戀情X索命厲鬼，一片雙重恐怖感受！拉卡（埃米爾馬希拉飾）天生能與鬼魂溝通，他為此深感困擾，因為經常有鬼魂想找他幫忙解決問題，也讓他在學校遭到排擠。為了擺脫這些困擾，拉卡決定搬到位於雅加達郊區的茂物，跟擁有相同能力的叔叔阿甲（拉德西卡佳米爾飾）同住。拉卡在新學校認識一個失去記憶的女鬼蒂妮（阿齊齊阿薩德爾飾）。蒂妮跟其他鬼魂不太一樣，從來沒有要求他做任何事，兩人漸漸熟稔後，拉卡決定幫她找回記憶。與此同時，拉卡的朋友陸續離奇失蹤，而這似乎跟一個戴著染血口罩的厲...
聚焦《X》中邪恶的老婆婆Pearl从前的故事，和那场杀戮发生的房子，在1918年……《X》女主高斯出演Pearl，片中对她的身份设定已有所展现。
Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder. “Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much. The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
